Fogwood Video Presents: THE SEWER TRINITY


(one night only — bring your own gas mask)
EVIL IN THE WOODS (1986)
A backwoods fairy tale retold by a drunk uncle at a cookout gone wrong. Kids stumble on a cursed book, adults stumble through dialogue, and somehow the forest itself starts eating everybody. Part home movie, part bargain-bin Raimi, all Southern-fried VHS ectoplasm.
CODA (1987)
Imported from the hazy antipodes: a conservatory where sonatas turn to screams. A giallo knockoff shot in the antiseptic corridors of an Australian music school. Think Suspiria without the budget, then dip it in fluorescent tube lighting and leftover recital programs. The killer’s blade cuts through scales and arpeggios alike, leaving only discord.
PANIC (1982)
Scientists meddle, bacteria mutates, and Rome drowns in hazmat tape. A cop in a trench coat hunts down the infected, while the infected chew through extras like wet paper. Half pandemic paranoia, half creature-feature sludge, all smeared on a print that looks like it was found in the bottom of a lab freezer.
Together: The mythic triptych of the Cinematic Sewer.
You descend through:
the forest that hungers,
the conservatory that kills,
the laboratory that leaks.
By dawn, you’ve emerged covered in mold, humming a cursed melody, and coughing up fluorescent ooze.
FOGWOOD VIDEO

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